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Congratulations to Florence Iff, Swiss artist selected to exhibit in London! 🔸
This project is an investigation on light, time and space on the one hand within the subject of photography itself and on the other hand on the example of the space mission „Rosetta“.
I have been collecting old deteriorating, fading or double-exposed (glass) negatives illustrating the subject of ephemerality and impermanence.
Images from NASA and ESA depict the journey to the comet 67P, which had been the designation of the mission „Rosetta“ on the search for the primeval soup and the proof of life-molecules within the universe. The whole mission started 1992 and lasted till 2014, when the lander finally touched ground on 67P to gather information. This high-tech mission was developed to answer questions about life on earth.
Pictures of the human body as skin, CTI's or X-rays are included in order to stress the fact that our existence consists of essentially being body. Dated photographs of long changed landscapes merge or coexist with high-tech images of mars or the surface of 67P.
Playing with these juxtapositions I created a visual journey approaching universal questions on life, transiency, time, what remains from our existence and which imprints we leave behind as human beings.
Simultaneously it's a journey through 100 years of technical advancement within photography and space-exploration.
The pictures are named after the 11 scientific instruments and the lander on board of "Rosetta""
We can't wait to see what Florence will exhibit in London! Get your early bird tickets now 🙌 (link on our Facebook page)
Featured Artist 🎨 G. H. Rabbath: “The work you see here is just the index. The real Art is at work in the hearts and minds of the curators, and art professionals I’ve crossed paths with, and alienated. Break open their skull, and you shall find me there. Apart from that, I am a multimedia meta-art activist. I used to teach Cognitive Science and Art Theory in a Beirut University, and my Ph.D. Thesis was referenced in philosopher Jean Clam’s Orexis. I was engaged in several meta-artistic interventions in the art world since 2009 and the publication of ‘Can One Man Save the (Art) World’. In 2010 I curated M. Obaidi’s latest show in Art Dubai along side publishing ‘Mr Obaidi and the Fair Skies® Corporation’ that addressed the neuroscience of racial bias in relation to conceptual art. And In 2011 I obtained the officials nominations of curator and commissioner of the Lebanese Pavilion for the 54th Venice Biennial, and created ‘institutional void’ in the Arsenale as part of a neo-Situationist project, and which I documented on ghrabbath.wordpress.com”
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